Free PDF Shoji: How to Design, Build, and Install Japanese Screens, by Jay Van Arsdale
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Shoji: How to Design, Build, and Install Japanese Screens, by Jay Van Arsdale
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Japanese-style shoji screens are translucent, wooden-lattice panels that subtly transform light and space and add an elegant touch to any decor. This book contains all the information you need to design and make shoji for your own home or apartment.
Features
* Notes on aesthetics and design fundamentals
* Complete how-to guide covering basic construction methods, screen materials, and wood selection
* Home projects, including window inserts, sliding and hanging screens, glass panel shoji, double- and single-sided shoji, skylight shoji, decorative wall boxes, and floor and table lanterns
* Introduction to Japanese hand tools and planing and joinery techniques
* Sample lattice patterns, photographs, and line drawings for design and remodeling ideas
* List of suppliers
- Sales Rank: #314004 in Books
- Published on: 2013-08-02
- Original language: English
- Number of items: 1
- Dimensions: 6.90" h x .30" w x 9.80" l, .50 pounds
- Binding: Paperback
- 96 pages
About the Author
JAY VAN ARSDALE is a carpenter and shoji maker who teaches classes in Japanese tools and woodworking techniques. He lives in Oakland, California.
Excerpt. © Reprinted by permission. All rights reserved.
[Here is a whole section from Chapter Two. In the book, it is accompanied by seven line drawings.]
Installations
In American homes, multiscreen shoji installations are usually located in areas otherwise occupied by curtains, drapes, and blinds (that is, in front of windows and patio doors), in pass-throughs connecting rooms within the home, or in front of closets and other storage areas. A screen less than 24" wide looks cramped and is too narrow to be practical as a doorway; in a multiscreen installation it would require you to move more than one screen each time you wanted to pass through. Beyond 40", a screen can become too heavy to support its own weight without some kind of structural reinforcement like enlarged rails at top and bottom. Three parallel tracks for sliding the shoji is plenty for most installations, although you can use more if the opening is deep enough. You need 1/8" to 1/4" clearance between screens in their tracks.
Types of Shoji Installations
There are many different ways to install shoji in your home. When designing your shoji, think carefully about traffic patterns and who will be opening and closing the screens. Remember that being able to move the shoji gives you control over light and view. Design your screens to maximize both.
1. Sliding. This is the traditional Japanese method. The rails of the shoji are rabeted to form ridges that fit into tracks (dados) at top and bottom. Rabeting enables the screens to have a minimum of passing clearance without reducing the amount of wood between the dados. The lower track groove is shallower (1/8" is enough) than the top and supports the entire weight of the screen as it moves. The upper track groove, at least twice the depth of the lower to allow easy removal, serves only to keep the screen vertical. Because the entire screen is supported from below, and not from the side as with a Western-style hinged door, the frame needs only a minimum of structural reinforcement.
A modern alternative to this sliding mode calls for a wheel in a housing to be mortised into the bottom rail of the shoji. The groove in the wheel runs on a metal track that is mounted on the floor or threshold. An omnidirectional caster can also be used in an inlaid hardwood track. The rolling action of the wheel or caster eliminates the friction of wood-to-wood contact in the bottom track. Such an installation is suited to very large panels and to panels that contain glass, thick plastic sheeting, or other heavy materials. It also works well in high-traffic areas where the screens have to operate quickly. The top is a simple tenon/rabet and dado.
2. Hanging. With most sliding screens, the tops of the bottom tracks are made level with the flooring so that people don't trip as they pass through the opening. If the screens are added later or are installed in a carpeted area, it may not be possible to inlay the tracks. Instead, the screens can be fitted with a roller device at the top and suspended from an upper track.
Most hardware stores stock a variety of tracking devices and guides that help prevent the screens from swinging as they move. Many systems use adjusting screws to make the screens plumb. Unfortunately, these devices are often unattractive. Hide them from sight by a valance or other device (see part 4). Rollers and other mechanical devices can also be quite noisy, and this might destroy the tranquil mood you have labored to create with the shoji in the first place.
3. Bifold (hinged). Although hinges are rarely used with shoji in Japan, they make sense in many American homes. Used with a swivel roller at the top of the screen, hinges allow several screens to operate in a single track, making installation possible in long but shallow openings. Because the screens are stored perpendicular to the track, edge-on to the viewer, the opening is obscured much less than with conventional sliding panels. Unlike sliding screens, hinged screens have a tendency to sag and may need to be stabilized along the diagonal with hipboards or thickened rails.
4. Freestanding. Single screens are often used as partial, stationary partitions without tracking systems. They can rest in a stand that can be moved about the room, or they can be attached to a wall, floor, or ceiling. Two or more screens can also be attached at their sides and arranged in a zigzag to make them stand on their own. Since the weight of each screen rests on the bottom, lateral shear here is not a structural concern as it is with hinged screens. Freestanding screens have a decorative, sculptural value and make versatile room dividers that give privacy without cutting off light or closing you in. See part 4 for examples.
Most helpful customer reviews
68 of 71 people found the following review helpful.
Not traditional japanese woodwork, but who cares?
By Joe Brewer
JVA uses a simplified approach to building shoji. Odate's book is the one for you if you want to build an authentic shoji using Japanese technique. Having said that, this is an EXCELLENT primer on shoji measurement and building practice for quick screens. I have built screens in both styles and take my word for it that JVA's method is quicker and no-one can tell the difference. Two things: the screen on the cover is NOT the one detailed in the text (check the corners). Also, I would HIGHLY recommend cutting your stiles long (leave a horn) and trimming them off post assembly with the table saw followed by a pass with a plane. Buy it and get building!
49 of 51 people found the following review helpful.
Great how-to for those with some joinery skills.
By A Customer
Making shoji is not for those who have no woodworking skills, but if you can make basic joints, this book will provide instructions and inspiration onmaking beautiful shoji. If you're not interested in making shoji, it still provides design inspiration. At a current quoted cost of $29/sq. foot for Shoji, learning how-to could be profitable!
31 of 31 people found the following review helpful.
A woodworkers guide to shoji for your home
By Zack Davisson
Shoji are really beautiful. There is something wonderful about the light passing through the semi-translucent rice paper, creating an atmosphere that is romantic and relaxing. Having lived in Japanese houses for several years, it was something that I wanted to recreate when I returned to the US.
"Shoji: How to design, build, and install Japanese Screens" was exactly the book I was looking for. Jay van Arsdale has written a simply, comprehensive guide on how to add shoji to an existing house, from very simple screens to much more complicated structures. Its a modern approach to making shoji, rather than bothering with traditional Japanese methods, and is very practical and doable.
The book assumes that you have woodworking skills and tools, and isn't so much a "Beginner's Guide." He gives a list of tools that you will need, mainly a set of chisels, hammers, saws, polishing stones and planes. He does recommend that you invest in Japanese tools, as they are made differently from Western tools and will create a different look in the wood that will be more authentic and aesthetically pleasing. There are a few specialty chisels, specifically the yarinomi and the sokosarae, that will make your shoji-making much more efficient.
The different styles of shoji in the book range from simple shoji, to glass-panel shoji, closet and cabinet screens and lanterns. For the truly ambitious there are instructions for ceiling fixtures and skylights as well as valances and hanging screens. Most of those projects are far removed from my abilities, but a more advanced woodworker will find some inspiring projects.
The photos are all in black-and-white, but there are some beautiful homes on display showing you what you can do with shoji screens. Certainly not everyone has the time and money for that kind of home transfiguration, but it is nice to dream.
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